My work explores the relationship between consumerist fetishism and recycling culture. With influences as diverse as Caravaggio and John Cage, new synergies are generated from both mundane and transcendant meanings.
Ever since I was a student I have been fascinated by the theoretical limits of the zeitgeist. What starts out as yearning soon becomes corroded into a carnival of lust, leaving only a sense of nihilism and the dawn of a new order.
As momentary phenomena become reconfigured through studious and repetitive practice, the viewer is left with an epitaph for the darkness of our culture.