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    Self-Sabotage

    WINNER Best Experimental - Festivus Film Festival. The deliberate subversion of oneself. Destructive or obstructive action that hinders the person who acts. See also: the Lord’s Prayer. The Lord’s ...

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    Self-Sabotage

    WINNER Best Experimental - Festivus Film Festival.

    The deliberate subversion of oneself. Destructive or obstructive action that hinders the person who acts. See also: the Lord’s Prayer. The Lord’s Prayer is inherently violent towards the one who prays it.

    This film has come to pick a fight, and any viewing that fails to recognize that may put the viewer at risk in one way or another. Self-Sabotage is an exploration of the Lord's Prayer based on and inspired by Derek Webb's electronic all instrumental album 'Feedback'. It follows six characters in a narrative with no words - only the music to parallel the stories.

    Self-Sabotage rests firmly amidst the tension between the prayed and the praying; the single-minded character and vision of the Lord’s prayer serves as the sub-text through which we enter into the lives of its characters. Their lives, like moving icons, open windows into the great mystery of communion through self-dethroning sabotage.

    Includes 2 videos
    Film Poster

    Self-Sabotage

    WINNER Best Experimental - Festivus Film Festival.

    The deliberate subversion of oneself. Destructive or obstructive action that hinders the person who acts. See also: the Lord’s Prayer. The Lord’s Prayer is inherently violent towards the one who prays it.

    This film has come to pick a fight, and any viewing that fails to recognize that may put the viewer at risk in one way or another. Self-Sabotage is an exploration of the Lord's Prayer based on and inspired by Derek Webb's electronic all instrumental album 'Feedback'. It follows six characters in a narrative with no words - only the music to parallel the stories.

    Self-Sabotage rests firmly amidst the tension between the prayed and the praying; the single-minded character and vision of the Lord’s prayer serves as the sub-text through which we enter into the lives of its characters. Their lives, like moving icons, open windows into the great mystery of communion through self-dethroning sabotage.

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